Thursday, May 29, 2008

Milan Kundera - The Unbearable Lightness of Being

  • What shall we choose? Weight or lightlessness?
  • If every second of our lives recurs an infinite number of times, we are nailed to eternity as Jesus Christ was nailed to the cross.
  • If eternal return is the heaviest of burdens, then our lives can stand out against it in all their splendid lightness.
  • Thomas did not realize at the time that metaphors are dangerous. Metaphors are not to be trifled with. A single metaphor can give birth to love.
  • In Tereza’s eyes, books were the emblems of a secret brotherhood. For she had but a single weapon against the world of crudity surrounding her: the novels. She had read any number of them, from Fielding to Thomas Mann. They not only offered the possibility of an imaginary escape from a life she found unsatisfying; they also had a meaning for her as physical objects: she loved to walk down the street with a book under her arm. It had the same significance for her as an elegant cane from the dandy a century ago. It differentiated her from others.
  • She had come to him to escape her mother’s world, a world where al bodies were qual. She had come to him to make her body unique, irreplaceable. But he, too, had drawn an equal sign between her and the rest of them: he kissed them all alike, stroked them alike, made no, absolutely no distinction between Tereza’s body and the other bodies. He had sent her back into the world she tried to escape, sent her to march naked with the other naked women.
  • Anyone whose goal is ‘something higher’ must expect some day to suffer vertigo. What is vertigo? Fear of falling? Then why do we feel it even when the observation tower comes equipped with a sturdy handrail? No, vertigo is something other than the fear of falling. It is the voice of the emptiness below us, which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves.
  • We might also call vertigo the intoxication of the weak. Aware of his weakness, a man decides to give in rather than stand up to it. He is drunk with weakness, wishes to grow even weaker, wishes to fall down in the middle of the main square in front of everybody, wishes to be down, lower than down.
  • No, it was not superstition, it was a sense of beauty that cured her of her depression and imbued her with a new will to live. The birds of fortuity had alighted once more on her shoulders. There were tears in her eyes, and she was unutterably happy to hear him breathing at her side
  • He considered music a liberating force: it liberated him from loneliness, introversion, the dust of the library; it opened the door of his body and allowed his soul to step out into the world to make friends.
  • She would have liked to tell them that behind Communism, Fascism, behind all occupations and invasions lurks a more basic, pervasive evil and that the image of that evil was a parade of people marching by with raised fists and shouting identical syllables in unison.
  • For Sabina, living in truth, lying neither to ourselves nor to others, was possible only away from the public: the moment someone keeps an eye on what we do, we involuntarily make allowances for that ye, and nothing we do is truthful. Having a public, keeping a public in mind, means living in lies. Sabina despised literature in which people give away all kinds of intimate secrets about themselves and their friends. A man who loses his privacy loses everything, Sabina thought. And a man who gives it up for his own free will is a monster.
  • Yes, it was too late, and Sabina knew she would leave Paris, move on, and on again, because were she to die here they would cover her up with a stone, and in the mind of a woman for whom no place is home the thought of an end to all flight is unbearable.
  • Einmal ist keinmal. What happens but once might as well not have happened at all. The history of the Czechs will not be repeated, nor will the history of Europe. The history of the Czechs and of Europe is a pair of sketches from the pen of mankind’s fateful inexperience. History is as light as an individual human life, unbearably light, light as a feather, as dust swirling into the air, as whatever will no longer exist tomorrow.
  • I can’t help thinking about the editor in Prague who organized the petition from the amnesty of political prisoners. He knew perfectly well that his petition would not help the prisoners. His true goal was not to free the prisoners; it was to show that people without fear still exist.

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